Klaudija Cermak – Interview

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VFX Serbia

  • Tell us a little bit about yourself – where did you grow up, what did you study and what path led you to the post-production industry?

I grew up in Socialist Yugoslavia, in Opatija, a small town by the sea. It was an idyllic childhood and completely detached from technology and computers. I actually saw the first computer when I came to London to improve my English in 1980’s. I was 21. The fact that I am still here says a lot (about my English hahahaha). I got into the industry by complete accident and literally by stepping on someone’s foot at a party.

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Intervju: Miloš Hetlerović, menadžer studija 3D Lenz

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VFX Serbia

Tim Sassoon je u jednom intervju rekao: “Veoma je lako znati kada treba koristiti 2D u 3D konverziju. Konverzija košta oko 15.000 dolara po minutu. Ako ne možete da snimite stereo kamerama ispod te cene, mi ćemo konvertovati za Vas.”

Na osnovu ove izjave jasno je da je jedan od razloga konverzije ušteda na budžetu filma. Ali sa druge strane, ponekad tehnička ograničenja stereo kamera i upotreba CGI sprečavaju da se snima u 3D.  3D konverzija je segmentacija slike, gde svaki piksel na slici ima svoj položaj u prostoru.

Na prvi pogled proces konverzije izgleda veoma prosto koji bi skoro svaki malo bolji kompjuter mogao da izvrši automatski: na livadi drvo, a ispred drveta čovek. Očigledno da je jasan raspored elemenata u dubini, što bi mogao da uoči svaki čovek a kamoli kompjuter. Međutim, razumevanje slike nije vizuelni proces nego kognitivni proces (razumevanje stvarnosti na osnovu mišljenja i prethodnog iskustva)…

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Intervju: Vladimir Perić, vlasnik i direktor Endtimes studija

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VFX Serbia

Vladimir_Peric

  • Recite nam nešto o Endtimes studiju, ko su ljudi koji su ga osnovali i sa kakvom idejom?

Endtimes Studio osnovan je u maju 2014. sa ciljem da pravimo video igre koristeći nove tehnologije, implementirajući sopstvene ideje kako bi napravili igre koje i sami želimo da igramo. Počeli smo od malih web projekata, da bismo vremenom prešli na Unreal Engine 4 i kasnije otkrili Oculus Rift. Osnovao sam ga ja, Vladimir Perić, game developer iz Beograda sa dugogodišnjim iskustvom rada u kompanijama poput Blizzard Entertainment, Software Nation, i drugim, u saradnji sa još par prijatelja koji su mi pomogli da razvijemo naše prve aplikacije. Nakon što smo sklopili ugovor sa našim investitorom iz Londona, sedište firme je iz Beograda premešteno u London.

  • Šta biste istakli kao najveće izazove sa kojima ste se susretali u početku?

Svaki početak je težak pa ni naš nije bio izuzetak. Morali smo…

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Nikola Stefanović – Colorist Showreel

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VFX Serbia

Nikola has worked in the Television/Film Industry for the past 16 years. He started as an 3D & Motion Graphic Artist in 1998 at National Broadcast Corporation of Serbia, and later moved on as Video Editor to the private sector. For 4 years he was doing offline editing for advertising. It was in 2004 when he started working as Online artist and Colorist at Media Plus when he fell in love with color grading.

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Ten Excellent Reasons to Film in Serbia

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VFX Serbia

film in serbia Ten Excellent Reasons to Film in Serbia

1. FRESH & VIBRANT

Serbia is a new “must see” film destination in South East Europe with an outstanding production infrastructure juiced up with amazing talents and uniquely creative crews that can make any idea possible and looking fabulous on screen!

2. PEOPLE WHO REALLY CARE

Serbia is well known for offering fully committed, reliable service companies that truly care about your project. They are your real partner, not just another service provider.

3. DIVERSITY OF LOCATIONS AND SEASONS

Serbia boasts an array of various film friendly locations from a unique mixture of architectural styles to the scenic nature and exquisite historical sites – fortresses, castles, villages and the magnificent Danube. Check it all out at www.filmlocationserbia.com

4. VAST VARIETY OF FACES

Serbia is in the middle of Europe, at the borders between the West and the East and Serbian people represent a unique mixture of…

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